Technical Rejection
Files rejected for low resolution, colors look wrong when printed, wrong formats and color spaces.
Everything you need to know about selling art prints online: file preparation, paper selection, pricing strategy, and marketing tactics that work.
You've spent hours—maybe years—perfecting your craft. You've built a portfolio you're proud of. You have followers who genuinely love your work. But when it comes to actually selling prints, something breaks down.
You're not alone.
The problem isn't your art. The problem is that selling prints successfully requires mastering an entirely different skill set: color management, material selection, pricing psychology, digital marketing, fulfillment logistics, and customer service.
Most artists hit one or more of these roadblocks:
Files rejected for low resolution, colors look wrong when printed, wrong formats and color spaces.
Matte, glossy, baryta, canvas, metallic—too many options with no clear guidance on what works.
Should you charge $50 or $250? What markup is normal? Underpricing from insecurity.
Instagram, Pinterest, TikTok, email lists—too many channels, inconsistent results.
Fulfillment takes hours, amateur packaging, endless customer questions about sizes and shipping.
The result? You either:
There's a better way.
This isn't a generic "10 tips for selling art online" listicle. It's a comprehensive, research-backed playbook for building a sustainable print business—whether you're selling your first print or scaling to 100+ orders per month.
We cover six critical areas:
Resolution, color management, file formats, output sharpening, and upscaling techniques.
Paper types, archival quality, GSM weights, and how to match paper to your artistic style.
Cost-based, market-based, and value-based pricing. Edition structuring and platform comparisons.
Social media strategy, email marketing, website optimization, and paid advertising tactics.
Choosing print partners, packaging, shipping, and managing customer expectations.
Mass-market vs curated marketplaces, gallery representation, and direct sales approach.
| Stage | Sales/Month | Email List | Revenue | Profit | Focus |
|---|---|---|---|---|---|
| Month 1-3 | 5-10 prints | 50-100 subscribers | $500-1,000 | $250-500 | Learning: file prep, proofing, packaging |
| Month 4-6 | 15-30 prints | 200-400 subscribers | $1,500-3,000 | $750-1,500 | Optimizing: pricing, marketing, repeat buyers |
| Month 7-12 | 40-80 prints | 500-1,000 subscribers | $4,000-8,000 | $2,000-4,000 | Scaling: consistent sales, automation |
| Year 2+ | 80-150+ prints | 1,500-3,000 subscribers | $8,000-15,000 | $4,000-9,000 | Maturity: systems, predictable revenue |
Not everyone hits these numbers. But artists who:
...have a strong track record of reaching 50-100+ sales/month within 12-18 months.
The difference between artists who sell 5 prints and artists who sell 500 prints isn't talent. It's systems, knowledge, and execution.
This guide gives you the systems and knowledge. The execution is up to you.
Before we dive into selling, a note on protection: every image you upload to Nelori is automatically timestamped, fingerprinted with a cryptographic hash, and embedded with C2PA content credentials — the same industry standard used by Adobe, Microsoft, and Google. This creates verifiable proof of ownership from the moment you upload. Combined with our verified creator system, collectors know they're buying from real artists. Every print includes a Certificate of Authenticity linking it to your verified profile.
Print quality starts with your source file. Here's what you need to know about resolution, color spaces, file formats, and output sharpening—backed by professional standards and real-world testing.
For photo-quality prints, the industry standard is 300 pixels per inch (PPI) at your target print size. This resolution ensures that individual pixels are invisible to the human eye at normal viewing distances, creating smooth tones and sharp detail.
Quick calculation for common sizes:
But here's the nuance: 300 DPI isn't a hard rule for all prints.
Large prints are typically viewed from farther away. A 40×60 print hanging in a gallery is rarely examined from 12 inches like an 8×10 would be. This means you can use lower PPI for large formats without sacrificing perceived sharpness:
A 40×60 print at 150 PPI requires only 6,000 × 9,000 pixels—half the resolution of the strict 300 DPI rule, but indistinguishable when viewed from 5+ feet away.
What if your source file is too small for your desired print size?
Modern AI upscaling tools (Topaz Gigapixel AI, Adobe Super Resolution, ON1 Resize) can genuinely expand images 2-4x with excellent results for most content. But they work best with:
They struggle with:
Practical recommendation: If you need to upscale, test a small print first. Order an 8×10 or 11×14 before committing to a $200+ large print.
Save your files in RGB color space—specifically sRGB or Adobe RGB. Professional printers will convert to CMYK or extended gamut color spaces during output using calibrated ICC profiles matched to their specific printer and paper combination.
CMYK conversion requires precise knowledge of:
Without access to custom ICC profiles for the exact printer and paper stock, self-converting to CMYK will likely:
Professional print shops calibrate their workflows daily and maintain printer-specific profiles. Let them handle the conversion.
| Color Space | Gamut Size | Best For | Notes |
|---|---|---|---|
| sRGB | Small | Web-sourced images, JPEGs from phone/camera | Matches most monitors, safe default |
| Adobe RGB | Medium | RAW workflow, wider color gamut for print | 35% more colors than sRGB, especially saturated greens and cyans |
| ProPhoto RGB | Very large | RAW editing only | Too wide for most printers—convert to Adobe RGB before export |
Different formats suit different workflows. Here's when to use each:
| Format | Best For | Pros | Cons |
|---|---|---|---|
| TIFF | High-end prints, archival work | Lossless compression, supports layers | Very large files (50-300 MB) |
| JPEG | Most prints, web catalogs | Small file size, universal compatibility | Lossy compression (degrades with each save) |
| PNG | Graphics with transparency | Lossless, supports transparency | Larger than JPEG for photos |
| RAW | Editing workflow, not final output | Maximum editing latitude, lossless | Not printable—must export to TIFF or JPEG first |
| PSD | Working files with layers | Retains all editing data | Large files, not universally compatible |
JPEG uses lossy compression, but not all JPEG files are created equal:
Rule of thumb: Save at Quality 11-12 for print. The file size difference between Quality 10 and 12 is marginal (~2-3 MB), but Quality 12 eliminates any risk of banding in smooth gradients.
Prints need more sharpening than screen images because ink absorbs into paper fibers, softening fine detail. This phenomenon is called "dot gain" in the printing industry.
Professional retouchers use a three-stage sharpening workflow:
Most photographers do steps 1 and 2, but skip step 3—resulting in soft prints that don't match the screen preview.
Different papers require different sharpening intensity based on how they handle ink:
| Paper Type | Ink Behavior | Sharpening Amount | Technical Reason |
|---|---|---|---|
| Matte Fine Art | Ink absorbs deeply into fibers | High (Radius 1.0-1.5px, Amount 120-150%) | Maximum dot gain, needs aggressive compensation |
| Baryta / Luster | Ink sits on coated surface | Moderate (Radius 0.8-1.2px, Amount 80-120%) | Minimal dot gain, retains detail well |
| Glossy Photo | Ink sits on hard coating | Moderate-Low (Radius 0.6-1.0px, Amount 60-100%) | Very low dot gain, surface is sharp |
| Canvas | Texture provides perceived detail | Low (Radius 0.5-0.8px, Amount 40-80%) | Physical texture adds sharpness |
Method 1: Photoshop Smart Sharpen (Recommended)
Filter > Sharpen > Smart SharpenMethod 2: Lightroom Export Sharpening
Method 3: Topaz Sharpen AI
Use the "Print" preset with paper-specific adjustments. Excellent for recovering detail in slightly soft images.
Bit depth determines how many tonal values exist between pure black and pure white:
For most prints, 8-bit is sufficient. However, 16-bit becomes critical when:
Banding occurs when there aren't enough tonal steps to create a smooth gradient. It's visible as discrete "steps" in what should be a continuous tone (most common in blue skies or gray backgrounds).
Practical test: If you see banding on screen in an 8-bit file, it will be worse in print. Convert to 16-bit, apply a 1% noise layer, and re-export.
Before uploading files for print, ensure:
Skip the file prep headaches. Nelori's Instant Enhance and Printability Score automatically optimize your images and tell you which sizes will look great.
Get Early Access →Paper choice dramatically affects how your image reproduces—more than most artists realize. The same file can look soft and muted on one substrate, vibrant and sharp on another. Understanding paper characteristics helps you match materials to your artistic intent and buyer expectations.
Characteristics:
Best for:
How ink behaves:
Matte papers are uncoated and highly absorbent. Ink penetrates deep into the paper fibers, creating a soft, diffused appearance. This high "dot gain" means colors appear slightly muted compared to glossy papers, and blacks are softer rather than deep.
Popular examples:
Characteristics:
Best for:
How ink behaves:
Baryta papers have a barium sulfate coating that prevents ink from absorbing deeply. Ink sits on the surface, creating deep blacks, extended tonal range, and vibrant colors. Dot gain is minimal, so colors reproduce more accurately to your screen preview.
Popular examples:
Characteristics:
Best for:
When to avoid glossy:
Characteristics:
Best for:
Archival concerns:
Most canvas prints are not archival-grade. Poly-cotton blends and coatings degrade faster than cotton rag papers. Longevity estimates: 50-75 years for quality canvas vs. 200+ years for museum-grade paper.
When to avoid canvas:
Metallic Papers:
When to use metallic:
Silk/Pearl Papers:
What is GSM? GSM (grams per square meter) measures paper weight. Higher GSM = thicker, stiffer, more premium feel.
| GSM Range | Classification | Typical Use |
|---|---|---|
| 170-200 GSM | Thin, budget papers | Commercial photo paper |
| 230-270 GSM | Standard weight | Many baryta and luster papers |
| 280-310 GSM | Premium fine art | Hahnemühle Photo Rag = 308 GSM |
| 320-400 GSM | Ultra-premium | Card-stock feel, luxury presentation |
True archival papers meet ISO 9706 standards: acid-free (pH neutral), lignin-free (no wood pulp), buffered (alkaline reserve), and paired with lightfast pigment-based inks.
| Paper Type | Ink Type | Display Conditions | Estimated Lifespan |
|---|---|---|---|
| Consumer photo paper | Dye-based | Indoor, indirect light | 10-20 years |
| RC photo paper | Pigment-based | Indoor, indirect light | 50-100 years |
| Cotton rag fine art | Pigment-based | Indoor, indirect light | 100-200 years |
| Museum-grade cotton rag | Pigment-based | Archival storage (dark) | 200-400+ years |
How to protect prints:
| Paper Type | Cost per sq ft | 16×20 Material Cost | 24×36 Material Cost |
|---|---|---|---|
| Budget canvas | $2-4 | $6-10 | $14-20 |
| Standard glossy photo | $3-5 | $8-12 | $18-25 |
| Luster/baryta (mid-tier) | $6-10 | $15-22 | $35-50 |
| Premium matte (Photo Rag) | $8-12 | $18-28 | $45-65 |
| Metallic specialty | $12-18 | $28-40 | $60-90 |
Why these three?
Confused about paper choices? Nelori offers three archival-grade papers (matte, baryta, luster) with automatic output sharpening calibrated for each substrate. No guesswork, just beautiful prints.
Join the Waitlist →Print pricing is where art meets commerce—and where most artists struggle. Price too low, and you devalue your work while leaving money on the table. Price too high without justification, and you price yourself out of the market. This section provides frameworks for cost-based, market-based, and value-based pricing, backed by industry data and collector psychology research.
Most successful artists combine all three approaches:
The foundation: Never sell below total cost × 2. This ensures minimum 50% gross margin.
Direct costs (per print):
Indirect costs (allocated per print):
Direct costs:
Indirect costs:
Pricing tiers:
The question: What are similar prints selling for?
| Platform | 8×10 | 16×20 | 24×36 | Positioning |
|---|---|---|---|---|
| Mass-market platforms | $30-60 | $60-120 | $100-200 | Budget to mid-tier, high volume |
| Curated art marketplaces | $80-150 | $150-350 | $300-600 | Mid-tier to premium, curated |
| Gallery representation | $200-400 | $400-800 | $800-1,500+ | Established artist, exclusivity |
| POD marketplaces | $20-35 | $40-75 | $80-150 | Volume play, passive income |
Practical exercise: Search your genre on mass-market and curated art marketplaces. Find 10 comparable prints (similar style, size, artist recognition). Calculate average price. Use that as your competitive baseline, then adjust based on your positioning.
Buyers don't pay for paper and ink. They pay for: the art itself (your creative vision), the story and provenance (who you are), scarcity and exclusivity (limited availability), and status (owning something special).
Research shows: Limited editions command 2-5x higher prices than open editions for the same artwork.
| Edition Size | Price Range (16×20) | Optimal For | Buyer Psychology |
|---|---|---|---|
| Open edition (unlimited) | $75-150 | Volume sales, emerging artists | "Affordable art for my space" |
| Limited to 100 | $150-300 | Mid-career artists, collectible | "Investment potential" |
| Limited to 50 | $200-400 | Serious collectors, proven demand | "Rare, increasing value" |
| Limited to 25 | $300-600 | Premium positioning, high demand | "Exclusive, status symbol" |
| Limited to 10 (Artist Proof) | $500-1,200 | Top-tier collectors, scarcity play | "Ultra-rare, museum-grade" |
| 1-of-1 (unique print) | $800-3,000+ | Established artists, gallery context | "Original work in print form" |
Option 1: Single Limited Edition (simple, clear communication)
Example: "Limited to 50 prints, numbered and signed"
Option 2: Tiered Editions (Recommended)
Numbering conventions:
Traditional retail wisdom: $99 sells better than $100 (charm pricing)
Art market reality: The opposite is often true.
Practical application:
The principle: The first price buyers see influences their perception of all subsequent prices.
Application: Display largest size first
After seeing $240, the $140 option feels moderate rather than expensive.
The problem: Linear pricing (proportional to area) doesn't work. A 16×20 is 4x the area of an 8×10, but pricing it 4x higher kills conversions.
Better approach: Stepped pricing
| Size | Area (sq in) | Linear Price | Actual Price | Multiplier |
|---|---|---|---|---|
| 8×10 | 80 | $60 | $60 | 1.0x |
| 11×14 | 154 (1.9x) | $114 | $90 | 1.5x |
| 16×20 | 320 (4x) | $240 | $140 | 2.3x |
| 24×36 | 864 (10.8x) | $648 | $280 | 4.7x |
Why this works:
Goal: $2,000/month profit (after costs)
Assumptions:
Required sales: $2,000 profit ÷ $80 margin = 25 prints/month
Revenue target: 25 prints × $120 = $3,000/month gross revenue
Is this realistic?
| Platform | You Receive | Platform Takes |
|---|---|---|
| Nelori (Free plan) | $113 ($150 - $37 print cost) | $0 commission |
| Nelori (Pro plan, annual) | $111 ($150 - $37 cost - $2 subscription*) | $0 commission |
| Mass-market platform | $99 ($150 - $37 cost - $14 fees) | 9.3% |
| Curated marketplace | $68 ($150 - $37 cost - $45 commission) | 30% |
| Gallery (50% split) | $38 ($75 artist split - $37 cost) | 50% |
*Subscription amortized across 12 prints/month
Keep 100% of your margins. Unlike marketplaces that take 9-30% commissions, Nelori charges zero commission—just a simple subscription. Price your work competitively and keep what you earn.
See Pricing Plans →Great prints don't sell themselves. Even museum-quality work at competitive prices needs visibility. This section covers the marketing channels that actually work for artists selling prints: email, Instagram, Pinterest, SEO, and strategic paid advertising.
Where to place email capture:
Welcome Series (3-5 emails over 7-10 days):
Ongoing Campaigns:
Posting frequency: 3-5 posts/week + daily Stories is optimal. Quality > quantity always.
Why Instagram Shopping matters:
How to choose hashtags:
Total: 10-15 hashtags per post (avoid 30-hashtag spam, hurts reach)
Conversion rate benchmarks:
Pin Design (Critical):
Pin consistently: 5-10 pins/day (use scheduler like Tailwind). 80% from other sources (repins), 20% your own content (avoid spam).
Title tags (most important):
Image alt text:
Product descriptions (150+ words, keyword-rich):
Include: What it is, materials (Hahnemühle Photo Rag, archival pigment inks), sizes available, subject/style keywords, use cases (living room art, bedroom decor).
Blog post ideas that drive organic traffic:
SEO benefit: Each blog post = new indexed page = more search visibility
Frequency: 1-2 posts/month is sustainable and effective
Target audience:
Budget:
Expected results:
LTV:CAC ratio target: 3:1 or better
Why Pinterest Ads work:
Expected results:
Budget: Start with $5/day
How to Collect Reviews & Testimonials:
Timing: 7 days after delivery (customer has received and hung the print)
What to ask for:
Conversion rate: 10-20% of customers will leave a review if asked
Ready to reach more buyers? Focus on creating while Nelori handles print fulfillment, shipping, and quality control. Build your email list and let the platform do the rest.
Join the Waitlist →The difference between selling 5 prints and 50 prints per month often comes down to operational excellence: quality control, packaging, customer service, and smart scaling. This section covers the unsexy but critical practices that turn one-time buyers into loyal collectors.
Why proof prints matter:
What to check in proof prints:
Cost: $20-40 per image (one-time investment)
ROI: Avoids refunds ($50-150 each), bad reviews (damage brand), and wasted marketing spend
Translation: Packaging is marketing and retention, not just logistics.
1. Rigid Mailer (Non-Negotiable)
2. Protective Sleeve
3. Backing Board
4. "Do Not Bend" Stickers
Goal: Make opening the package feel special, worthy of Instagram.
1. Thank-You Card (Inside Package)
2. Care Instructions Card
3. Business Card (Encourages Repeat Purchase)
Tip: Set up auto-responder: "Thanks for your message! I'll reply within 24 hours."
Damaged in shipping:
Color doesn't match screen:
What to automate/outsource:
When to hire:
What to delegate first:
Start part-time: 5-10 hours/week, $15-25/hour depending on location and skills
Revenue Metrics:
Customer Metrics:
Operational Metrics:
Marketing Metrics:
Month 1-3: Foundation
Month 4-6: Growth
Month 7-12: Scaling
Year 2+: Mature Business
Selling prints builds your income. Landing opportunities builds your career. Grants, gallery calls, and residencies provide funding, exposure, and time to create—but finding them is a job in itself. This section shows you how to discover and win the opportunities that matter.
Print sales provide income, but opportunities open doors that income alone can't buy:
The compounding effect: A grant on your CV makes the next application stronger. A gallery show introduces you to collectors who buy prints. A residency gives you new work to sell. These aren't separate tracks—they reinforce each other.
When you complete your Nelori profile, we use that information to match you with relevant opportunities:
Every opportunity in your feed gets a match score:
Focus your energy: Apply to high matches first. A thoughtful application to a 90-point match beats a rushed application to a 50-point match.
Most applications require 5-20 images. Prepare these in advance:
A 150-300 word statement that answers:
Avoid: Jargon, hyperbole ("my groundbreaking work"), vague language ("I explore the human condition"). Be specific and genuine.
Art-world CVs differ from job resumes. Include:
Starting out? Include online exhibitions, open calls you've been selected for, and relevant workshops or mentorships. Everyone starts somewhere.
| Type | Typical Award | Competition | Best For |
|---|---|---|---|
| Foundation grants | $5,000-$50,000 | Very high (1-5% acceptance) | Established artists with strong CVs |
| Regional arts councils | $1,000-$10,000 | Moderate (10-25% acceptance) | Artists meeting residency requirements |
| Project-based | $500-$5,000 | Moderate | Specific proposals with clear outcomes |
| Emergency/relief | $500-$2,500 | Lower | Artists facing documented hardship |
| Type | Entry Fee | Benefit | Watch For |
|---|---|---|---|
| Juried exhibitions | $25-$50 | Gallery exposure, CV line | Juror reputation, gallery legitimacy |
| Open calls (no fee) | $0 | Exhibition opportunity | Terms of participation, costs |
| Art fairs | $100-$500 | Direct sales, collector access | Booth costs, sales commission |
| Competition exhibitions | $30-$75 | Cash prizes, exposure | Prize structure, past winners |
| Type | Duration | Cost to Artist | Provides |
|---|---|---|---|
| Fully funded | 1-12 months | $0 (travel may not be included) | Housing, studio, often stipend |
| Subsidized | 2-8 weeks | $500-$2,000 | Housing, studio, community |
| Fee-based | 1-4 weeks | $1,000-$4,000 | Space and programming |
Tip: Fully funded residencies are competitive but worth prioritizing. Apply 6-12 months before you want to go—most have long lead times.
Grant reviewers and galleries look for evidence that your work resonates:
In applications: Reference your print sales as evidence of audience engagement and professional experience—without making it purely commercial.
Grants, gallery calls, residencies—curated and matched to your work. Stop scrolling endless listings. Focus on opportunities where you actually have a chance.
Join the waitlist for early access to opportunity matching
Having my ownership verified from the moment I upload gives me peace of mind. The Certificate of Authenticity is a real differentiator with collectors.
I used to spend hours searching for grants. Now Nelori surfaces opportunities I never would have found on my own.
The catalog tools made organizing my work simple. I can finally show clients a professional portfolio in seconds.
Knowing every artist is verified and every print comes with a certificate gives me confidence I am buying authentic work. The provenance matters.
Questions about selling prints? Get in touch.